Tag Archives: Bensonwood

Homes Matter

I wrote the following article for a local magazine, Business Monadnock. I’m republishing here.

screenshot-2014-05-16-13-08-55
Tedd Benson in his Walpole, NH facility.

“We shape our buildings; thereafter they shape us.”  Winston Churchill

Many years ago, when we pulled our company associates together to try to draft a collective mission statement for our homebuilding company, we came to an unexpected conclusion. As we kept asking questions about why we do what we do, and why clients engage us for what is usually the biggest investment of their lives, we came to understand there’s an important ideal beyond the simple execution of our craft for the straight-forward purpose of building good quality homes. We realized that everyone undertaking the effort and expense of building a new home is doing so to improve the quality of their lives, and so that bigger objective became the core principle of our mission: “Through process and products, to improve the quality of lives.”

Why else would people from all over the country find us in this quiet corner of New Hampshire? And isn’t a focus on making a difference in peoples’ lives more worthy of the total investment of our own life’s energy?

We’ve tried to remain on that higher path since, and that nobler focus has made an incalculable difference in how we think, act and what we build. It raises the stakes, and has raised us in the process, but it has also been humbling. There’s no clear pinnacle of achievement for such a mission. There’s only, “try harder, get better.” With peoples’ lives as our focus, there’s no such thing as “good enough;” there’s always something that we can improve.

Luckily, the physical aspects of every building are like  truth mirrors, and give us immediate feedback about how we did. The quality of the work is mostly an evident, objective reality, and its attributes (and of course the flaws) easily determined. When we can see it and touch it, we can measure our work in a variety of ways, and know with some certainty what to improve. In a sense, that’s the easy side of continual improvement.

But the “improving the quality of lives” objective is intangible, subjective, and offers no easy evaluation of success or failure. Building homes that are plumb, level, square, strong and energy-efficient is relatively easy, but making deeper impacts in the occupants’ lives is a high, elusive and difficult goal.

Is all that striving for lofty ideals and a life of “healthy discontent” worth it for the simple task of homebuilding? I think so, and here’s why. We all know that homes matter immensely. Along with food, shelter is elemental to the human condition. No society advances without a broad provision of healthy food and secure shelter. Food is an obvious daily requirement for life, and gets daily attention. But the importance of quality housing in our lives is more nuanced, yet anthropologists and historians have often pointed out that stable, durable dwellings that offer some respite from life’s struggles are practically the root and stalk of civilization. Societies seem to develop in direct relation to advancements in the general quality of domestic life.

For all of its obvious value, we can’t analyze the life-improving attributes of our homes by measuring the equivalent of proteins, carbohydrates and vitamins in food, and so if it passes the basic shelter-against-the-elements test, most people accept housing as it is, decorate to taste, and get on with life. People today tend to know about cars, food and clothes rather intimately, and can even discern how the subtle distinctions—that added spice in the meal; the car’s suspension in turns; those perfectly fitted shoes—make them feel, but the fundamental qualities of homes are too often just a bland canvas for the amenities, paint and furniture. We literally live with homes as they are, and then their impacts live in us,  and subtly affect our character, as Churchill so famously suggested.

Most of the hours of our lives are spent at home. The environment we live in works on us and our closest relationships constantly, and we are better or worse for it. Without a safe and secure personal sanctuary, there’s no opportunity for dreams to flourish; there’s no place for the imagination to soar beyond the moment, and hope itself is dulled.

And that’s why it’s worth striving for homes to rise above their basic physical sheltering requirements and do more. We need to do our best to make housing worthy of its inhabitants’ lives, a therefore long-term asset for our society. I know from so many personal stories, including my own, that a home can become a sacred personal place, and a family’s special haven for the bonds of our most intimate relationships; a safe harbor in life’s storms. At best, housing and the functional act of dwelling it supports can provide its own kind of daily bread, and feed a higher sense of well being.

These high ideals for home have been the subject of builders, poets, philosophers and architects (not to mention common people with dreams) for hundreds or even thousands of years. It is also the theme of local author, Howard Mansfield’s important new book: Dwelling in Possibility: Searching for the Soul of Shelter. To make his point that homes should do more for people than provide mere protection from the elements, he quotes the famed social architect, Samuel Mockbee: “Everyone, rich or poor, deserves a shelter for the soul.”  Mansfield goes on to say:

We have shelter from the rain and snow and sun, but our houses aren’t sheltering our souls. They aren’t nourishing. We treat houses as investments or as social policy problems, as in the statistical Sahara of ‘the housing problem.’ The soul starves—we’re in our house, but not at home. Our dream houses lack room for us to dream.   … We build thousands of houses, but only a few homes. With the world’s population projected to double, we will have to build this world all over again. How can we do that and shelter the soul?

And later he adds: “The housing we are building today is starving our imagination, and without a well-fed imagination, it may be impossible to build a better world….If the house is diminished, we are diminished.”

Homes are not commodities, even if housing tries to be. Life happens there, and peoples’ lives can’t be defined by the “widget” they inhabit. No matter what we homebuilders intend or achieve in building “the product,” people will do their best to make more of it. There’s no dull real estate for the occupants, who always want their home to be special and meaningful. Howard Mansfield quotes geographer/philosopher, J.B. Jackson: “The dwelling is the primary effort of man to create heaven on earth.”

Mansfield also profiles and quotes the French philosopher Gaston Bachelard, whose book The Poetics of Space is one of the seminal writings about the higher values we can find in house and home: “They give us the shelter to enlarge ourselves. They are the vessel in which we go forth into the universe. A good house is a good daydreaming space. It is the universe.”

Over the years, we’ve had enough feedback from our clients to give us an indication that sometimes we succeed in our higher mission. So we know it’s possible, even if how and why add up to a simple, daunting notion: Everything Matters.

The belief in the idea that buildings can also serve higher emotional, psychological and spiritual needs of people is the first requirement of the commitment to try, as Howard Mansfield admits: “To build soulful places, first we need to believe that it is possible.”

And he answers that question with a quote from famed architect Christopher Alexander, whose book, The Pattern Language, is the basically an instructional manual for how we can design and build homes that also touch the human spirit. Alexander therefore deserves the last word: “But it is possible. If we try our best to make all the places in our contemporary world with a vivid depth of feeling, surely then something will happen that changes our lives.”

 

Building History Next Door

rebuild For a number of reasons, in the past few months I’ve been pulled into thinking again about historical timber frame construction and the evolution to light wood framing in the 19th century.  It’s an incredibly interesting topic in any event, but even more so as our contemporary wood building systems continue to evolve—now, as they did 200 years ago—continually responding to changes in technology, economics and cultural expectations. Building history seems to be in the air. I have recently accepted speaking engagements at the Weare, New Hampshire Public Library in May and another for the Monadnock Center for History and Culture in July. Both will be talks about timber frame building, past and present, and the sponsors have an interest in referencing the historical timber framing in their towns. With these engagements coming up, I’ve been doing some research about the history of a few towns in this part of New Hampshire, particularly Weare and Peterborough. P1030301 (Medium)Staying with the history theme, we are also currently working on a timberframe project that requires the use of reclaimed hand-hewn timbers. We are purchasing these timbers from salvage contractors who dismantle old, out-of-use barns that are often a tax and maintenance liability for the owners. This is a rather sad story, as America is quickly losing one of the most beautiful and enduring parts of our architectural heritage. Yet without programs to support the costs borne by the property owners, the demise of barns will continue. We wish we could save them all, but a second best alternative is to try to save the timbers when we can, and this project will do that well, and celebrate their rugged hand made beauty in a building that should stand for another few hundred years.

The timing of that project turned out to be serendipity when the producers of a new TV show  called to ask if I could help narrate a short segment with them to give a little insight about traditional timber frame building methods. I agreed to do it, knowing that the authentic hand-hewn timbers we had on hand would make it easy to explain the fundamentals of the traditional process using the visible hand-tooling evidence as the best explanation of the work involved. The timbers we used to describe early timber framing in the short film segment are remarkable. They’re mostly white oak and chestnut, with sizes up to 14” x 14” and up to 40’ long. To understand the task, you have to understand that each of the timbers was a tree growing in a primeval forest we can’t imagine today, and every one of them was worked with both skills and toil most of us can’t fathom. Wresting timbers from trees was accomplished, as many things were back then, “by dint of severe effort.” Looking at these timbers now, you can know a lot of truth about the men who labored over them 200 years ago. The marks of their axe, adze, scribe, chisel and handsaw are right there, as if made yesterday, and they reveal patience, perseverance and pride. It’s quite a story.

colonial era pit saw
A two-man colonial pit saw. Courtesy Plimouth Plantation

But that work only resulted in a timber frame. For this kind of structure, it was still necessary to have boards for sheathing, cladding, flooring and various millwork. As towns were sprouting up in the expanding new world in the 18th century, it was usually just too much effort for most people to make all of those materials by hand. The traditional method for making boards was to use a two-man saw over a pit, with one person on top the log and another below, making up and down strokes through the log length. That work was brutal, even by the work standards then. Therefore, as soon as watermills became possible, they almost simultaneously became a requirement of colonization. The agreement to establish a settlement in Weare, NH was based on the condition that a mill would be in place. That took a few years, and therefore, “House construction in the early settlement was primitive. Logs were used to build houses, and were hewn flat for flooring, ” according to the town history. By this method, they nearly eliminated the need for boards and the massive amount of handwork needed to make them.

When sawmills were finally in place, timber frame buildings became more common in Weare, but nails were scarce and precious, so most of the boards were attached with wooden pins instead. The sawmills solved one big problem, but another remained. It must have been frustrating to be in the midst of a limitless forest resource, but still many man years of work away from turning that raw material into the kinds of buildings they ultimately intended. The buildings we know, use and revere today were the dream of every family, but most early settlers never achieved the dream, and lived instead in crude log houses, or worse. In the Peterborough, NH town history written in 1876, the typical homes of the mid 18th century were described this way:

They were open, cold, and uncomfortable, and it required much hardihood to endure the exposure to which all were subjected in abodes so imperfectly constructed. We can hardly imagine how they could live in such houses, and carry on so much work besides the regular household duties; but they had made up their minds to receive everything in the best spirit, in hopes of better and more prosperous times to come, and thereby they made of their hovels, of their wretched cabins, and half-built houses, homes consecrated to religion, and to all the social and moral virtues.

I like the word “hardihood.” Along with “dint of severe effort,” it kind of says it all. Theirs was a struggle to get out of the hovels and into real homes, and live in civilized villages, and ultimately they did, but it was accomplished the truly old fashioned way. NH-SawmillFor all these reasons, easier was better because it improved the quality of life sooner. Sawmills became more efficient as the mechanical equipment improved, making it much more practical to saw the timbers from the logs as well as the boards. At the same time, manufactured cut nails replaced hand-forged nails, and even later wire nails replaced cut nails. With these advancements, timber frame building evolved to use more sawn lumber, and then sawn lumber parts became smaller, and the connections were made with thousands of nails instead of a few hundred timberframe joints.

Coincidentally, on a bike ride the other day, I happened by a building in the process of being razed and stripped to its structural bones, revealing nearly the whole of the evolutionary history between early timberframing and the light wood framing that eventually completely displaced it. IMAG0335 (Medium) (2)I learned that original building was built in the mid 19th century, possibly before the Civil War. The older part was built with some typical timber frame methods, but most of the timbers were sawn, with tell-tale up-and-down strokes visible. Interestingly though, there are also quite a few hand hewn timbers in the frame that clearly came from an earlier structure with “ghost” mortises and notches suggesting their previous frame position. Clearly, they eschewed hand-hewing as soon as possible, but they still were frugal and respectful enough to reuse the timbers with so much labor invested in them by earlier generations of builders. And you just have to wonder: just how old ARE those timbers?IMAG0337 (Medium) (2) (1)

P1030313he other story in the older part of the building is the number of sawn studs, rafters and joists of smaller 2x dimension that are interacting with the old timberframe. You can almost see these builders getting comfortable with light wood framing replacing heavy timber framing, just step by step.

When they built the larger section of the home a few years later, they took giant leaps toward balloon framing, but still could not quite give up the use of a few timbers. The front wall is like a classic balloon frame with small, vertical studs going from sill to eave plate uninterrupted. But there was still a timber post and girts at the corners and mid-wall to carry the floor joist loads, and maintain the heavy timber asset.P1030310IMAG0333 (Medium) However, there’s no diagonal bracing, leaving the vestiges of the classic timber frame to be very minimal. And if the front wall shows the balloon frame that would soon dominate, the gable end wall is more like platform framing that is ubiquitous today. So there it is: one building, and a 1ooo year wooden frame building history.

Some say balloon framing (light framing) was invented by George Washington Snow in 1832. (From Keene, NH, right next door, by the way.) Some say it was Augustine Taylor in 1833. Some credit others. But I’m with those who say it just evolved, pulled by sawmill efficiency, nail innovation, and a tremendous need for good quality homes to be built with less skill and labor in the growing and expanding country. Thomas Friedman said, “Big breakthroughs happen when what is suddenly possible meets what is desperately necessary.” Big breakthroughs have happened again, including our ability to bring timberframing back with new capabilities and needs, and an ever-evolving, wood-centered construction method that’s getting ever more durable, energy efficient and adaptable.

Another Unity Home Rises on Connecticut’s Gold Coast

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It is always rewarding to build for repeat clients, which is the case with our current Unity home in Essex, Connecticut, our seventh since launching the new line of residences in October 2012. The two-story, 2,450 square foot Tradd is Net-Zero ready, is expected to exceed the Passive House standard for air tightness, and like all Unity Homes, can go from foundation to finished home in 30-40 working days.

Our local on-site builder for both Unity homes in Essex, A. Joseph Shea, was instrumental in bringing Bensonwood’s Unity Homes and the two Essex couples together.

Tradd floorplanThis latest Unity, our first Tradd 134, is a 4-bedroom, 3.5 bath shore home customized with solid-sawn Douglas fir timbers and high-end finishes and mechanicals. The custom Tradd will serve as the guest house to the main house; a home for which Bensonwood built an addition back in 2012.

The retirement-age clients had considered building a fully-custom home with Bensonwood, but chose Bensonwood’s sister company, Unity Homes, instead because of its streamlined design-build process. They didn’t want to spend a lot of time making the myriad decisions a full-phase custom design process can require. Instead, they were able to visit Unity’s Walpole, NH facilities and, after just one day of finalizing the design and selecting finishes, moved to contract.

Tradd 134 2nd floor planThe energy-efficient, prefab green home is currently in fabrication at our Blackjack Road facilities, concurrent with the site work. Its weathertight shell will then be raised on site in a matter of days, later this month, and finished during the summer. Like the Xyla, Zūm, and Värm Unity Homes, it features sustainable wood construction, ample use of natural light, low VOC building materials for greater indoor air quality, paints, adhesives, and sealants, as well as dense-pack cellulose insulation, solid, sound dampening construction, and draft-free even-temperature comfort.

Bensonwood “Bath Pods” Land in the Rockies

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Nestled in the front range of the Rocky Mountains, Estes Park sits at an elevation of 7,522 feet, considerably higher than the highest point in New England, the summit of Mt.Washington. But for one Estes Park homebuyer, New Hampshire-based Bensonwood—with its production facilities 7,000 ft closer to sea level and 2,000 miles to the east—was the perfect choice to create a new 10,800+ square foot “Rocky Mountain High” dream timber frame home.

bath pods in shopIn addition to the home’s panelized assemblies, Bensonwood fabricated seven bathroom pods complete with decorative tile work and fixtures all pre-plumbed and wired for craning into place on site. Why bathroom pods? Fabricating the pods under the warm, controlled conditions of our Blackjack facilities allowed for greater control over the design (through better tile detail and setting), while reducing overall construction time on site.

bath podsAs part of our “Montage Building” process, the bathroom pods, panelized wall, roof, and floor assemblies, and millwork were then trucked atop flatbed tractor trailers to the lofty build site where the home’s weather-tight shell will be fully assembled in approximately four weeks. When finished, the robust, energy-efficient home will weather the elements with minimal maintenance and operational costs.

prefab bath pod vanity

bath pod shower

 

 

It Takes A Village: Bensonwood Chosen to Build Southface Village at Okemo

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When it comes to sustainable development, “it takes a village” to build a village. Years in the planning, South Face Village, a ski-on/ ski-off community at Okemo Mountain will rise in Ludlow, Vermont. Since 2010, a community of Bensonwood associates, including architects, engineers, project managers and planners has been working closely with the developer, Timber Creek at Okemo, not only to design the sustainable, four-season, mountainside resort community, but to successfully negotiate the strict state and town permitting processes as well.

As a result of that effort, last September Vermont state officials granted the developer an Act 250 permit to build the resort. The project is expected to break ground in a year’s time. Clearing for the first ski trails and lift line have been completed this past winter.

south face village townhouse drawing
Preliminary rendering of the South Face Village Townhouse.

Over a 10-year build cycle, the plan is for Bensonwood to construct the South Face Village townhouses, duplexes, single-family homes and clubhouse—all in our distinctive mountain-style architecture, known for its robust, carbon-sequestering wood construction and energy-efficient design. The buildings will be fabricated in panelized assemblies at Bensonwood’s Walpole, NH facilities and rapidly assembled on the mountain, ensuring minimal disruption to the delicate ecology of the development site.

south face clubhouse drawing
Preliminary rendering of the South Face Village Clubhouse.

According to Bensonwood architect, Randall Walter, “It truly does take a dedicated group of professionals and years of planning to realize a sustainable, 21st century community.” And he added, noting the lengthy permitting and planning process of a project this size, “For any developer looking to begin a large scale environmentally-responsible development in the next 3-4 years, the time to start talking is now.”

Visit the South Face Village Facebook page for ongoing construction photos.

 

USDA Supports Sustainable Wood Building Materials for Environment and Jobs

timber in the city
An award-winning “Timber in the City” design by Bensonwood designer Tim Olson using advanced wood building materials such as Cross Laminated Timbers and Glulam Beams.
timber high rise interior
architects rendering of the Courtyard Cathedral
Interiors of the Courtyard Cathedral and its innovative use of wood products. Olson’s engineered wood Courtyard Cathedral was a winner in the Association of Collegiate Schools of Architecture 2012-2013 competition.

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Wood—one of the world’s oldest building materials—is now emerging as one of the most advanced. Of course, Bensonwood treasures the natural wood we use in our timber frame homes, but its innovative use in engineered products is already beginning to change the nature of construction across the U.S. by offering alternatives to steel and other high embodied energy building products. By encouraging these advances in wood technology, the United States Department of Agriculture hopes to support President Obama’s Climate Action Plan by preserving the role of forests in mitigating climate change.

At a meeting hosted by the White House Rural Council in March, Agriculture Secretary Tom Vilsack announced a new partnership to train architects, engineers and builders about the benefits of advanced wood building materials, and plans for a forthcoming prize competition to design and build high-rise wood demonstration projects. The latest engineered wood technologies can be utilized in the construction of tall buildings and skyscrapers as well as in housing projects, improving their energy efficiency and thereby reducing energy consumption for heating and cooling. According to some industry estimates, one 3-5 story building made from the new wood technologies has the same emissions control as taking up to 550 cars off the road for one year.

As an added benefit, stronger demand for innovative new wood products not only supports sustainable forestry practices and reduced greenhouse gas emissions, but also puts rural America at the vanguard of an emergent industry. This has the potential to support more than one million direct jobs, many in non-urban areas, expanding economic opportunities while moving toward greater domestic production and sustainability.

Seriously?

In my last post, I vented a little about the cover of the largest professional homebuilding magazine (Byline, “Smart Building Starts Here”) depicting a construction site that might have been exceptional 100 years ago, but today should be an industry embarrassment, not a magazine cover. Finding that the photo proudly displayed on the cover was only part of the reason for my dismay.

The home under construction was to be the “New American Home,” the featured model home at the International Builders Show.  Its purpose is to show off the latest process and products our industry has to offer.

For a refresher, here is that magazine cover with story about the model project under construction, apparently a paragon image of 21st century homebuilding. The reality is building materials in the dirt, guys cutting and shaping each and every piece that goes into the building (awkwardly, with small tools), and no organization that systematically improves quality or achieves better efficiency.

What we really see is the lurch into yet another century of homebuilding evolution, still  unimpeded by progress.

SMALL Builder002“The New American Home” that was the outcome of that site construction was also 7,000 square feet, and that represents the other side of the American problem in homebuilding. Big is more important than good.  My intent was to address the building process problem, but readers were more repulsed by the size. After all, as a model intended to be an exemplar, we can probably keep building in inefficient ways, and we can keep giving the American public less housing quality  than they need and deserve, but we can’t keep building that big. So I get it.

Nevertheless, I’m surprised that people take for granted the inherent anachronism of the typical homebuilding process.  Yet its stasis in the context of contemporary technology and worldwide manufacturing advancement is so pervasive that its lack of progress is invisible, and its inefficient and ineffective reality is widely accepted, and sometimes even lauded as evidence of craft. I see an emperor with no clothes; others say he’s always been naked and that’s what makes him so kingly.

Here are two homes I recently saw under construction in the mid-west.

KSjobsite1

Ksjobsite2

Take a minute. Study those photos, as if you were managing the efficiency and quality of a process that matters immensely to the life and economics of our society. Just look at those two sites! Look at the guys sorting through the “pick-up-sticks” in the upper photo. What could they possibly be doing, and who’s paying for it? What do you think about their care of the materials? In the second photo, the dumpster size speaks volumes, and we have more sticks in the dirt, and a guy carrying a single framing member over his shoulder. Why is any of this so accepted in 2014? In any other industry where quality and efficiency matters a company employing this sort of manufacturing standard would be out of business in a nano-second.

As a builder who has spent his professional life trying to improve building quality, I find all of the above examples rather alarming, as I do the home quality standard that usually is the process outcome.  But I guess I’m in the minority.

The final photo is even more revealing. My co-worker, Hans Porschitz, was looking for a photo of the standard building process to add to a  presentations he is doing. In his Google search, he found an article from the Wall Street Journal from 2012, titled: Housing Starts Surge as Confidence Grows. The point of the article was that home construction was starting to come back strong and that all was beginning to look good for building construction. Great news, which at the time people like me read with deep interest, hoping the long recession malaise would finally end. But here’s the kicker: look at the photo that illustrated that positive news about homebuilding:

Our Homebuilding Standard

Seriously? I don’t know where to start, but apparently the editors at the WSJ thought this was an appropriate iconic photo to illustrate the positive bustle of an industry coming out of the doldrums and now thriving again. Aren’t you glad? Would you want to own that house? Is this how much our homes matter to us? How long will we accept these wooden tents adorned with facades of drywall and garnished with amenities? A few things come to me:

  • There’s not a legal labor rate low enough to justify the methods.
  • They don’t care about the construction materials at all.
  • Waste is no problem.
  • There is no pride with anyone there or it would look different.
  • None of these people care anything about OSHA safety regulations, much less their own safety.
  • What else do you see?

Honestly, I just don’t understand it, but this IS the American way of building and we as a society apparently take it for granted that this is as it should be.  There’s an industry and cultural assumption that it’s the best we can do, I guess. The first photo is from the number one homebuilding industry trade magazine, and the last one is from our number one business newspaper. Our country, therefore, obviously thinks our homebuilding process is just hunky-dory.

But when you think about it, is it any wonder that: building construction has become the last refuge of the otherwise unemployable, and certainly doesn’t make any list of desirable careers for young people? …that natural disasters lay whole communities flat? …that the typical American home is an energy sieve? ..and a maintenance nightmare? …that there is typically at least a 15% defect rate (structure, safety, health, not cosmetic) when other industries are chasing fractions of 1%?

Homes DO matter. To paraphrase Winston Churchill, our culture creates our homes, thereafter our homes create our culture. The need for urgency is far more important than only energy and sustainability; it’s about the soul of who we are.

We CAN and therefore must do better. Much better. There are many of us working “in the trenches” to bring a better destiny to American homebuilding, and that includes all my associates at Bensonwood and Unity Homes, who have dedicated our professional lives to that proposition.

Though the enemy–a recalcitrant, misaligned industry–is strong, we will prevail. Better homebuilding is coming to America.

 

 

 

 

 

Catherine Houghton Arts Center Opens

Catherine Houghton Arts Center at night

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In an update to an earlier story, the Catherine Houghton Arts Center, the 5,000 square foot arts center for The White Mountain School, an independent boarding and day school for grades 9-12 in Bethlehem, New Hampshire, is now open for classes.

Bensonwood prefabricated the building and acted as general contractor. We worked in collaboration with the award-winning architectural firm, Ruhl Walker Architects. The multi-use academic building incorporates many of the latest advances in 21st century construction, including prefabrication of panelized assemblies, energy-efficient design and rapid onsite assembly.

Catherine Houghton Arts Center Dance StudioThe ArtsCenter is named after Catherine “Kitty” Houghton, a school trustee who was killed in 2013. The Center has two dance studios, a music studio with a recording studio, an art studio that opens to the outdoors, a recessed outdoor performing arts stage and a ceramics kiln. A bridge to its second floor connects the Center to the main campus.

Designed for Net-Zero performance, the new arts center has a super-efficient geothermal heat pump system, with the electrical power supplied by rooftop solar photovoltaics. The rooftop PV will generate more power than the arts center needs, with the excess being used to power a portion of the other academic buildings.

CHAC Art Studio

The Seeds of Sustainable Entrepreneurship: Finding Your Way in a Turbulent World

Hannah Grimes lecture

This is the keynote speech I gave at the Hannah Grimes Center’s 8th Annual CONNECT Event in Walpole, New Hampshire, celebrating the connections between business, local economy and community.

I posted this video here because I think it is valuable to understand not only the 40-year history and evolution of Bensonwood and the genesis of our off-site manufactured, high-performance Unity Homes. I also underscore where we are going as a company and more importantly, the value of sustainable business, even when facing the tough reality of yet another “Hoosac Mountain” in the craft of business.

My speech, “The Seeds of Sustainable Entrepreneurship: Finding Your Way in a Turbulent World,” also touches on themes of unreasonable perseverance, the rewards of working without a “Plan B” and the value of entrepreneurs working under the “useful delusion” that their undertakings are easily achievable, and not at all risky.

 

MIT Architecture Dean Adèle Santos Tours Bensonwood to See Her New Home

Adele Naudee Santos and Tedd Benson

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Adèle Naudeé Santos, internationally-renowned urban design authority and dean of MIT’s School of Architecture and Planning (SA+P), recently toured Bensonwood’s facilities with Tedd Benson and some of our associates to see her custom, high-performance green home being fabricated.

2nd.SantosBensonwood has been fortunate to work with many prominent design professionals, including architects as owner-builders or as advocates for their clients, but we were especially honored that someone of Ms. Santos’s stature in the architecture field would choose us to build her Somerville, Massachusetts home. Her academic career includes professorships at the University of California-Berkeley, Harvard University, Rice University and the University of Pennsylvania, where she also served as the Department Architecture Chair. She was also the founding dean of the School of Architecture at UC San Diego.

SANTOS.1Additionally, Santos is principal architect in the San Francisco-based firm, Santos, Prescott and Associates (SPA). Her architectural and planning projects include housing and institutional buildings in Africa, affordable housing in California and Japan, the Institute of Contemporary Art in Philadelphia, the Center for the Arts at Albright College and the Yerba Buena Gardens Children’s Center in San Francisco. She is currently working in Guatemala on a children’s center and has several projects under construction in China.

SANTOS.4Bensonwood has had a long, fruitful collaboration with MIT beginning with the partnership on the Open Prototype Initiative, whose goal is developing affordable, flexible, high-performance houses with disentangled and highly-adaptable mechanical systems. In another MIT connection, our sister company, Unity Homes, served as a business case study at the MIT Sloan School of Management. Bensonwood also has MIT graduates in our design and engineering departments.

Interestingly, Ms. Santos has another connection to Bensonwood in Steve Kieran, owner and architect of the Loblolly House, the acclaimed Maryland shore home we engineered, fabricated and assembled in 2006 for his firm, KieranTimberlake. Ms. Santos gave Kieran his first teaching position when she was the Architecture Chair at Penn.

SANTOS.5SANTOS.11The custom home was designed by SPA architect Ethan Lacy, who joined Ms. Santos on the tour. Bensonwood engineers Chris Carbone and Elizabeth Beauregard, project manager Tom Olson, job captain John McElroy and builder Tobey Wandzy were also on hand for the visit, explaining our building systems and processes and their roles in her project. A week later the  green prefab home’s shell was delivered to the site and raised in just three days, a benefit of what we call our “Montage Building” process.

Seeing the precision fabrication of a healthy house can be an informative and rewarding experience, and creates a stronger connection to the sustainable building for the homeowner—and is something we always encourage our clients to do. For more information on Bensonwood tours, click here.